One of the more peculiar fantasies infesting American conservatism is the notion that Hollywood is somehow a “leftist” place, and that its values are somehow “radical”.

To the leftists and radicals who gather nightly in the Stageleft bunker to drink vodka and plot the overthrow of Western Civilization, this has always seemed a laughable notion, given that:

- Movie studios are private corporations, owned by extraordinarily rich folks and operated for profit;
- The film industry has ALWAYS kowtowed to the government, from the willing shift to pro-war propaganda films in 1940 to the voluntary blacklisting of writers during the McCarthy era;
- 95% of Hollywood’s output deals with rich Americans living in upper middle class homes, and almost never sets films in working class homes or lives.

So which Celluloid Commies did Hollywood choose to honour this year?

Last night the most awarded film was produced by the most conservative film-maker in Hollywood, Clint Eastwood (who also happens to be a brilliant director.) “Million Dollar Baby” scooped Best Director, Best Actress, Best Supporting Actor, and Best Picture.

Best supporting actress went to Cate Blanchett for her role in the “The Aviator” , the biopic of that well known radical, pacifist and anti-capitalist…Howard Hughes.

All awards richly deserved (as was Jamie Foxx’s incredible turn as Ray Charles). But…”leftist”?


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